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The interfaces are significant in the relation which they create between the public and the musical machines.
System of lever and pedal driving or "Juke-box ".
1) Three light panels, make it possible to
have the partitions played. These panels are out of aluminium
of 1x1m, (weight 40kg approximately each ) thickness 0,25m, designed
to be visible possibly by their two faces. These panels must
be hung high up. They are fed by 220V and are connected by cable
to the central interface ("the dog").
2) A 5 levers ensemble with a wheel or four pedals, made of aluminium,
to which the public has access.
The Musical Camera or musical machine ordening interface.
It makes it possible to modulate sounds, melodies, arrangements played by the machines, according to precise and redefinable criteria, by moving the hands and the fingers in space; they are sets played with "virtual instruments", without gloves or wire. It is in fact an additional installation to the concert-exhibition in which the object here is the public's participation (interraction) in a way more elaborate than with the "Juke-box". For further information, please refer to the Musical Camera info-sheet.
The Microphone Head of Orchestra.
The sound of the voice recieved through a microphone via the computer orders the operation of the sound installations and the musical machines. They answer the musician improviser (in unison, inturn, in order or with a little fantasy) who sings or speaks, thus playing maestro.